1/20
Jason Martin, ‘Polychrome Futures’, Installation view, Buchmann Galerie, 2020
Jason Martin
Polychrome Futures, 2020
Installation view
Buchmann Galerie
2/20
Jason Martin, ‘Untitled (Brilliant pink / Ideal rose)’, 2020
Jason Martin
Untitled (Brilliant pink / Ideal rose), 2020
Oil on aluminium
200 (h) x 256 x 15 cm
78¾ (h) x 100¾ x 6 in
3/20
Jason Martin, ‘Untitled (Turquoise blue deep / Caribbean blue)’, 2020
Jason Martin
Untitled (Turquoise blue deep / Caribbean blue), 2020
Oil on aluminium
150 (h) x 150 x 10 cm
59 (h) x 59 x 4 in
4/20
Jason Martin, ‘Untitled (Brilliant pink / Mixed white)’, 2020
Jason Martin
Untitled (Brilliant pink / Mixed white), 2020
Oil on aluminium
242 (h) x 200 x 15 cm
95¼ (h) x 78¾ x 6 in
5/20
Jason Martin, ‘Untitled (Caribbean blue / Zinc green deep)’, 2020
Jason Martin
Untitled (Caribbean blue / Zinc green deep), 2020
Oil on aluminium
150 (h) x 150 x 10 cm
59 (h) x 59 x 4 in
6/20
Jason Martin, ‘Polychrome Futures’, Installation view, Buchmann Galerie, 2020
Jason Martin
Polychrome Futures, 2020
Installation view
Buchmann Galerie
7/20
Jason Martin, ‘Untitled (Brilliant pink / Ruby lake)’, 2020
Jason Martin
Untitled (Brilliant pink / Ruby lake), 2020
Oil on aluminium
66 (h) x 56 x 8 cm
26 (h) x 22 x 3¼ in
8/20
Jason Martin, ‘Untitled (Mixed white / Brilliant yellow deep / Caribbean blue)’, 2020
Jason Martin
Untitled (Mixed white / Brilliant yellow deep / Caribbean blue), 2020
Oil on aluminium
178 (h) x 148 x 9 cm
70 (h) x 58¼ x 3½ in
9/20
Jason_Martin_Thysia
Jason Martin
Thysia (Quinacridone red / Quinacridone scarlet), 2015
Mixed media on aluminium
64 (h) x 48 x 12 cm
25¼ (h) x 19 x 4¾ in
10/20
Jason Martin, ‘Untitled (Pale orange)’, 2020
Jason Martin
Untitled (Pale orange), 2020
Cold process dye on watercolour paper
76 x 58 cm
30 x 22¾ in
11/20
Jason Martin, ‘Untitled (Dioxazine mauve)’, 2020
Jason Martin
Untitled (Dioxazine mauve), 2020
Cold process dye on watercolor paper
76 x 58 cm
30 x 22¾ in
12/20
Jason Martin, ‘Untitled (Pale green)’, 2020
Jason Martin
Untitled (Pale green), 2020
Cold process dye on watercolor paper
76 x 58 cm
30 x 22¾
13/20
Black monochrome painting by Jason Martin
Jason Martin
Fuji, 2010
Oil on aluminium
300 (h) x 221 x 15 cm
118 (h) x 87 x 6 in
14/20
Jason Martin, ‘Victorian’, 2010
Jason Martin
Victorian, 2010
Oil on aluminium
200 x 166 cm
78¾ x 65¼ in
15/20
Jason Martin, ‘Arrabel’, 2013
Jason Martin
Arrabel, 2013
Oil on aluminium
94 (h) x 70 x 10 cm
37 (h) x 27½ x 4 in

Arrabel has a dark-red body color and many thin layers of a darker, almost black color.
16/20
Jason Martin, ‘Untitled II’, 2018
Jason Martin
Untitled II, 2018
Mixed media and gold leaf on aluminium
76 x 57 cm
30 x 22½ in

This work has an all over texture and is gold-plated with gold leaf. 
Jason Martin is referencing the use of gold in the history of painting when used for precious works or details in paintings.
17/20
Jason Martin, ‘Xahil’, 2015
Jason Martin
Xahil, 2015
Mixed media on aluminium (Quinacridone magenta)
46 (h) x 204 x 20 cm
18 (h) x 80¼ x 7¾ in

There are very few paintings Jason Martin has made in such a long stretched landscape format. 
The work has a rich impasto, also around the edges, which makes it very three-dimensional. 
18/20
Jason Martin, ‘Untitled (French Cassel Earth/ Scheveningen Black)’, 2018
Jason Martin
Untitled (French Cassel Earth/ Scheveningen Black), 2018
Oil on aluminium
68 x 58 cm
26¾ x 22¾ in
19/20
Jason Martin, ‘Vertigo’, 2006
Jason Martin
Vertigo, 2006
Oil on aluminium
220 x 500 cm
86½ x 196¾ in

Vertigo is an outstanding example for Jason Martin’s brushed oil paintings. The smooth, gleaming monochrome oil paint, combed onto an aluminium ground in thin layers and gentle waves, traces the painter’s expressive gesture and creates an impression of mobility reminiscent of drapery, landscape or a geological formation. Like a curtain or a veil, the optical impression is located between the viewer and the extremely tense tactile quality of the picture surface. This dialectic of movement and stillness, which is so characteristic of painting, permeates all of Jason Martin’s work. The light models the brushwork, making it appear almost sculptural.
20/20
Jason Martin, Installation view, Buchmann Galerie, 2018
Jason Martin
Installation view
Buchmann Galerie