In the autumn of 1978 I set out to travel in America. The Vietnam War was fresh in memory as was the Nixon resignation and the assassinations of the 1960's. I had a desperate need to find that the landscape,and indeed the American experience, yet admitted of Beauty. My journey lasted six years: these are some of the pictures that I made.
Here it is, fifty years later, that same need endures although it is more difficult to fulfill.
 Joel Sternfeld
 
The Buchmann Galerie is pleased to announce an exhibition by Joel Sternfeld featuring works from his iconic American Prospects series, alongside previously unpublished works selected by the artist from this significant body of work.
 
Joel Sternfeld is one of the most influential figures in contemporary photography. As a leading representative of New Color Photography, he played a key role in establishing color photography—previously marginalized—as an artistic medium in its own right. Through a conscious engagement with the Straight Photography of the interwar period and its political consciousness, exemplified by artists such as Walker Evans and Dorothea Lange, Sternfeld developed a new, color-based visual language in which photographic rigor and painterly sensitivity enter into a productive tension.
 
Between 1978 and the mid-1990s, Joel Sternfeld systematically traveled across the United States with an 8×10-inch large-format camera. The series American Prospects, created during these travels, is now regarded as a milestone in photography. With his camera, he captured places where American dreams, contradictions, and fault lines converge: shopping malls on the urban periphery, quiet street scenes, and idyllic natural landscapes marked by human intervention. Irony and tragedy intertwine in these works; the political often lies just a half step beneath the beauty of the surface. Sternfeld understands the American landscape as a resonant chamber for societal, ecological, and social tensions. In his quiet, painterly tableaux, it becomes a testament to human intervention and collective perceptions.
 
Sternfeld’s photographs combine documentary precision with a subtle poetic tension. His often large-format works reveal the sublime within the everyday—the quiet complexity of seemingly banal settings in which the political dimension is always present. Like few photographers of his generation, Sternfeld redefined the aesthetic and theoretical position of photography in the age of color. By conceptualizing color as a central compositional element, he entered into a confident dialogue with painting and sharpened awareness of the medium’s autonomous expressive possibilities.
 
Joel Sternfeld was born in New York City in 1944. He has received numerous awards, including two Guggenheim Fellowships, the Prix de Rome, and the Citibank Photography Award. He holds the Nobel Foundation Chair in Art and Cultural History at Sarah Lawrence College. 
 
Beyond his artistic practice, Joel Sternfeld is an active teacher and theorist and the author of numerous essays on subjects ranging from color in photography and The Sublime after John Ruskin to the practices of fellow photographers such as Stephen Shore and Helen Levitt.
 
His work has been exhibited worldwide. Solo exhibitions have been held at venues including the Museum of Modern Art, New York; the San Francisco Museum of Modern Art; the Art Institute of Chicago; the Fotomuseum Winterthur; the Museum Folkwang, Essen; the Albertina, Vienna; the Center for Documentary Studies, Duke University; the Bruce Museum, Connecticut; the Hall Art Foundation, Reading (Vermont); the Peale House Galleries, Pennsylvania Academy of the Fine Arts, Philadelphia; the Museum of Fine Arts, Houston; the Baltimore Museum of Art; the Detroit Institute of Arts; the MCA La Jolla; the National Gallery of Canada; and the San Francisco Museum of Modern Art.
 
Sternfeld’s work is represented in numerous public and private collections, including the Museum of Modern Art (MoMA), New York; the Whitney Museum of American Art, New York; the San Francisco Museum of Modern Art (SFMOMA); the Art Institute of Chicago; the Getty; the Metropolitan Museum of Art, New York; the Victoria and Albert Museum, London; the Dallas Museum of Art; Fotomuseum Winterthur; Museum Folkwang, Essen; the Albertina, Vienna; Goldman Sachs, New York; and the Maison Européenne de la Photographie, Paris.
 
MoMA in New York is currently showing a Sternfeld work in the exhibition Time Travelers: Photographs from the Gayle Greenhill Collection. His major artwork Wet ‘n Wild Aquatic Theme Park is currently on display at the Hirschhorn Museum and Sculpture Garden in Washington DC. The Nelson-Atkins Museum of Art in Kansas City will open the major exhibition American Prospects and Landscape Photography, 1839 to Today in July. He will be awarded The Silver Camera Award from the Museum of Contemporary Photography in Chicago. 
 
American Prospects is the artist’s seventh solo exhibition at the Buchmann Galerie.