Clare Woods
Geboren 1972, lebt und arbeitet in Hereford, UK
| 1997 - 99 | MA, Goldsmith’s College, London |
| 1991 - 94 | BA, Bath College of Art, Bath |
| 2022 | Elected to Royal Academy of Arts, London, UK |
Albright-Knox Art Gallery, Buffalo
Arken Museum of Modern Art, Ishøj
Arts Council Collection, London
British Airways Art Collection, London
CCA Andratx, Mallorca
Colección VAC (Valencia Arte Contemporáneo), Valencia
Government Art Collection, London
Harewood House, Leeds
Honart Museum, Tehran
Lucy Cavendish College, Cambridge
Mead Gallery, Warwick University, Warwick
NationalCollection of Wales, Cardiff
Nuffield College Collection, Oxford
Southampton City Art Gallery, Southampton
The British Council Collection, London
The Dakis Joannou Collection Foundation, Athens
The Hepworth Wakefield, Wakefield
The Hiscox Collection, London
The Hive, Worcester
The National Museum, Cardiff
The Ophiuchus Collection, Geneva
Tulle House Museum & Art Gallery, Carlisle
VIA University, Aarhus
| 2022 | Clare Woods: Between Before and After, Serlachius Museum Gösta, Mättä, Finland (exh.cat.) |
| 2018 |
Reality Dimmed, Mead Gallery, Warwick Arts Center, UK (exh.cat.) H. Juddah: Clare Woods, Mead Gallery, Warwick Arts Centre, Coventry, UK, Frieze, April |
| 2017 |
Victim of Geography, Dundee Contemporary Arts, Dundee, UK (exh.cat.) |
| 2016 |
The Romantic Thread in British Art, Southampton City Art Gallery, Southampton, UK (exh.cat.) A. Marr, J.Higgie, M.Bracewell, R. Daniels, S. Martin, Clare Woods Strange Meetings, Art Books Publishing, London, UK |
| 2015 |
Imagining A University, Fifty Years of The University of Warwick Art Collection, Warwick University, Warwick, England (exh.cat.) |
| 2014 |
A Tree A Rock A Cloud, Clare Woods (The National Collection Of Wales, Oriel Davies, Wales) Brask Collection at Munkeruphus (Munkeruphus Art Museum, Gilleleje, Denmark) Under the Greenwood, Picturing the British Tree from Constable to Kurt Jackson (St Barbe Museum and Art Gallery and Southampton City Art Gallery, Lymington, UK) |
|
2011 |
Bracewell, Michael & Stephens, Chris: The Unquiet Head, Hepworth Wakefield, (exh.cat.) |
| 2010 |
Nash, Paul: The Elements, Dulwich Picture Gallery, London, essay by Simon Grant (illustrated in colour, p. 41) |
| 2009 |
The Dark Monarch, Magic and Modernity in British Art, Tate St Ives (exh.cat.) Bracewell, Michael: Something Supernatural, This Way Comes, Tate etc., Autumn, pp.62-67 Dillion, Brian: Disc World, Guardian Review, 24 October, p.18 |
| 2008 |
Superstratum, Koraalbery Gallery, Antwerp, Belguim (exh.cat.) Hussey, Lauren. Interview: For Display Purposes, October, p.13 |
| 2007 | Colección VAC (Valencia Arte Contemporáneo), Catalogue of works, Valencia |
| 2006 | New Art from London, Chris Townsend, Thames and Hudson ESENCIAS 11, exhibition catalogue, Coleccion Ernesto Verntos, Arte International Deaf Man’s House, text by Barry Schwabsky, Koenig Books, London Review. Wright, Karen. Modern Painters, February 2006 Review. Neo 2, February, 2006 Chisenhale Gallery, London (exh.cat.) |
| 2005 |
Extreme Abstraction, Albright-Knox Art Gallery, (exh.cat.) Make 2', Ken Shuttleworth Herbert, Martin. Feature. Ambient Landscapes, Tate etc, Summer 2005 |
| 2004 |
Monument to Now, Deste Foundation of Contemporary Art, (exh.cat.) Printed Project, letters from five continents, Saskia Bos & Rob Tufnell Forest, Wolverhampton Art Gallery, (exh.cat.) Failed Back, Modern Art, London (exh.cat.) New British Painting, John Hansard Gallery, (exh.cat.) Herbert, Martin. Review. In: Time Out, London, March 17-24, pg 47 |
| 2003 | 40 Views of and Icon, Comme des Garcons |
| 2002 | Painting as a Foreign Language, Edificio Cultura Inglesa (exh.cat.)
Hill, Joe. Review. ‘New York: Cohan, Leslie & Browne’, in: Contemporary, December 2002 Smith, Roberta. “Review Clare Woods”, in: The New York Times, Oct. 25, pg 37 |
| 2001 |
The Hydra Workshop, Hydra Greece, (exh.cat.) Tail Sliding, The British Council, (exh.cat.) London Underground, Sungkok Art Museum, Korea, (exh.cat.)
Beck’s Futures, ICA, London, (exh.cat.) |
| 2000 | British Art Paintings II, exhibition catalogue, Diehl Vorderwuelbecke, Berlin The Art Newspaper, Review. no 108, November Review. ‘Art, Clare Woods’, in: Evening Standard, 26th October Allfree, Claire. Review. ‘Art, Clare Woods’, in: Metro Life, Metro, October 27th Gleadell, Colin. Review. ‘The Power of Paint’, in: Telegraph Magazine, p.37, September 16 Review. ‘And if There Were No Stories’, in: Evening Standard, March 8th Review. ‘Cluster Bomb at Morrison Judd’, in: Flash Art, Jan/Feb |